Sacred, scandalous, and irresistibly alluring, Saint-Saëns’s spectacular take on the biblical hero of legendary strength and the seductive Philistine whose beauty overpowers him returns in the Met’s larger-than-life production.
Guitarist and singer John Pizzarelli has been hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.”
Puccini’s exhilarating drama of the Wild West returns in a new staging by celebrated British director Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years.
Following his smash-hit company debut with The Hours, composer Kevin Puts returns to the Met with his Pulitzer Prize–winning first opera, inspired by the true events of the 1914 Christmas truce, when soldiers spontaneously set aside the horrors of the First World War and crossed the trenches to mingle, exchange gifts, and sing carols with the enemy.
Following her radiant performance in Gounod’s Roméo et Juliette—which garnered raves for “high notes that spun like liquid gold … Sierra touched the operatic firmament” (The New York Times)—superstar soprano Nadine Sierra takes on another alluring French heroine, the irresistible title character of Massenet’s passionate drama.
One of today’s leading dramatic tenors, Brian Jagde takes on the tour-de-force title role of what many consider the ultimate Italian opera.
A profound philosophical meditation on compassion and reconciliation, this transcendent rendering of a medieval knight’s heroic quest for the Holy Grail returns to the big screen in François Girard’s celebrated production, a “thoughtful and intrepid staging, full of striking imagery” (The New York Times).